Showing posts with label Romance. Show all posts
Showing posts with label Romance. Show all posts

Claude Monet
Soleil levant (Impression, Sunrise)

My River Runs to Thee

My river runs to thee:
Blue sea, wilt welcome me?

My river waits reply.
Oh sea, look graciously!

I’ll fetch thee brooks
From spotted nooks,—

Say, sea,
Take me!

~ Emily Dickinson ~

Day and Night


M. C. Escher
Day and Night

Day and Night

Day and night . . . the shadows move too slowly

From dark to light she promised she could know me
Remember when . . . I watched her on the stairway
She was drinkin' wine . . . and she told me what the stars say . . .

Some destinies, they should not be delivered . . .
But in her eyes I saw a thousand reasons

Day and night

I feel her skin . . . it's thin and white as pressed milk
I closed my eyes and she vanished just like burnt silk
And what remains was like some fallen thunder
And my lips were chained; they were filled with empty wonder

But the stars tell lies, it blinds the only warning

And when darkness dies, there's nothing left but morning . . .

Just day and night

Day and night . . . the shadows start to scatter
When touched by light . . . each promise made is shattered
And even when the question find the answer
But even then, they're something like a dancer

But even then, they're something like a dancer
Like day and night . . . dark to light

I move from day to night

~ Jim Carroll Band ~

To His Coy Mistress


Jean Antoinne Watteau
Faux-pax (The Misstep)

To His Coy Mistress

Had we but world enough, and time,
This coyness, lady, were no crime.
We would sit down and think which way
To walk, and pass our long love's day;
Thou by the Indian Ganges' side
Shouldst rubies find; I by the tide
Of Humber would complain. I would
Love you ten years before the Flood;
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires, and more slow.
An hundred years should go to praise
Thine eyes, and on thy forehead gaze;
Two hundred to adore each breast,
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart.
For, lady, you deserve this state,
Nor would I love at lower rate.

But at my back I always hear
Time's winged chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found,
Nor, in thy marble vault, shall sound
My echoing song; then worms shall try
That long preserv'd virginity,
And your quaint honour turn to dust,
And into ashes all my lust.
The grave's a fine and private place,
But none I think do there embrace.

Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may;
And now, like am'rous birds of prey,
Rather at once our time devour,
Than languish in his slow-chapp'd power.
Let us roll all our strength, and all
Our sweetness, up into one ball;
And tear our pleasures with rough strife
Thorough the iron gates of life.
Thus, though we cannot make our sun
Stand still, yet we will make him run.

~ Andrew Marvell ~

His Coy Mistress to Mr. Marvell


Jean Auguste Dominique Ingres
Comtesse d’Haussonville

His Coy Mistress to Mr. Marvell

Since you have world enough and time
Sir, to admonish me in rhyme,
Pray Mr Marvell, can it be
You think to have persuaded me?
Then let me say: you want the art
To woo, much less to win my heart.
The verse was splendid, all admit,
And, sir, you have a pretty wit.
All that indeed your poem lacked
Was logic, modesty, and tact,
Slight faults and ones to which I own,
Your sex is generally prone;
But though you lose your labour,
IShall not refuse you a reply:

First, for the language you employ:
A term I deprecate is "coy";
The ill-bred miss, the bird-brained Jill,
May simper and be coy at will;
A lady, sir, as you will find,
Keeps counsel, or she speaks her mind,
Means what she says and scorns to fence
And palter with feigned innocence.

The ambiguous "mistress" next you set
Beside this graceless epithet.
"Coy mistress", sir? Who gave you leave
To wear my heart upon your sleeve?
Or to imply, as sure you do,
I had no other choice than you
And must remain upon the shelf
Unless I should bestir myself?
Shall I be moved to love you, pray,
By hints that I must soon decay?
No woman's won by being told
How quickly she is growing old;
Nor will such ploys, when all is said,
Serve to stampede us into bed.

When from pure blackmail, next you move
To bribe or lure me into love,
No less inept, my rhyming friend,
Snared by the means, you miss your end.
"Times winged chariot", and the rest
As poetry may pass the test;
Readers will quote those lines, I trust,
Till you and I and they are dust;
But I, your destined prey, must look
Less at the bait than at the hook,
Nor, when I do, can fail to see
Just what it is you offer me:
Love on the run, a rough embrace
Snatched in the fury of the chase,
The grave before us and the wheels
Of Time's grim chariot at our heels,
While we, like "am'rous birds of prey",
Tear at each other by the way.

To say the least, the scene you paint
Is, what you call my honour, quaint!
And on this point what prompted you
So crudely, and in public too,
To canvass and , indeed, make free
With my entire anatomy?
Poets have licence, I confess,
To speak of ladies in undress;
Thighs, hearts, brows, breasts are well enough,
In verses this is common stuff;
But -- well I ask: to draw attention
To worms in -- what I blush to mention,
And prate of dust upon it too!
Sir, was this any way to woo?

Now therefore, while male self-regard
Sits on your cheek, my hopeful bard,
May I suggest, before we part,
The best way to a woman's heart
Is to be modest, candid, true;
Tell her you love and show you do;
Neither cajole nor condescend
And base the lover on the friend;
Don't bustle her or fuss or snatch:
A suitor looking at his watch
Is not a posture that persuades
Willing, much less reluctant maids.

Remember that she will be stirred
More by the spirit than the word;
For truth and tenderness do more
Than coruscating metaphor.
Had you addressed me in such terms
And prattled less of graves and worms,
I might, who knows, have warmed to you;
But, as things stand, must bid adieu
(Though I am grateful for the rhyme)
And wish you better luck next time.

~ A. D. Hope ~

A Reply From His Coy Mistress


Lawrence Alma-Tadema
A Difference of Opinion


A Reply From His Coy Mistress

Sir, I am not a bird of prey:
A Lady does not seize the day.
I trust that brief Time will unfold
our youth, before he makes us old.
How could we write two lines of rhyme
were we not fond of numbered Time
and grateful to the vast and sweet
trials his days will make us meet?
The Grave's not just the body's curse;
no skeleton can make a verse!
So while this numbered World we see,
let's sweeten Time with poetry,
and Time, in turn, may sweeten Love
and give us time our love to prove.
You've praised my eyes, forehead, breast;
you've all our lives to praise the rest.

~ Annie Finch ~

Touch


Amedeo Modigliani
Nude on a Red Cushion

Touch

My hands
open the curtains of your being
clothe you in a further nudity
uncover the bodies of your body
My hands
invent another body for your body

~ Octavio Paz ~

How Will You Kiss?


Edvard Munch
Attraction

How Will You Kiss?

Lilt me your lips,
our lost breath intermingling.

Synchronize our silence
as lazy hours ease by.

Waft cocoa, hazelnut, cinnamon,
scents around me.

Tremble with me
in paralyzing pauses.

I may no longer breathe
without breathing you.

~ Judith Pordon ~

I like my body when...


Edvard Munch
Cupido

I like my body when...

I like my body when it is with your body.
It is so quite a new thing.

Muscles better and nerves more.
I like your body. I like what it does,
I like its hows. I like to feel the spine
of your body and its bones, and the trembling
-firm-smooth ness and which i will
again and again and again
kiss, i like kissing this and that of you,
I like, slowly stroking the, shocking fuzz
of your electric fur, and what-is-it comes
over parting flesh . . . . And eyes big love-crumbs,

and possibly i like the thrill

of under me you quite so new

~ e. e. cummings ~

Come Slowly


Edvard Munch
Amor and Psyche

Come Slowly

Come slowly, Eden
Lips unused to thee.
Bashful, sip thy jasmines,
As the fainting bee,
Reaching late his flower,
Round her chamber hums,
Counts his nectars - alights,
And is lost in balms!

~ Emily Dickinson ~

Romance


Pierre-Auguste Renoir
The Ball at Moulin de la Galette, Montmartre

Romance

I.
No one's serious at seventeen.
--On beautiful nights when beer and lemonade
And loud, blinding cafés are the last thing you need
--You stroll beneath green lindens on the promenade.

Lindens smell fine on fine June nights!
Sometimes the air is so sweet that you close your eyes;
The wind brings sounds--the town is near--
And carries scents of vineyards and beer. . .

II.
--Over there, framed by a branch
You can see a little patch of dark blue
Stung by a sinister star that fades
With faint quiverings, so small and white. . .

June nights! Seventeen!--Drink it in.
Sap is champagne, it goes to your head. . .
The mind wanders, you feel a kiss
On your lips, quivering like a living thing. . .

III.
The wild heart Crusoes through a thousand novels
--And when a young girl walks alluringly
Through a streetlamp's pale light, beneath the ominous shadow
Of her father's starched collar. . .

Because as she passes by, boot heels tapping,
She turns on a dime, eyes wide,
Finding you too sweet to resist. . .
--And cavatinas die on your lips.

IV.
You're in love. Off the market till August.
You're in love.--Your sonnets make Her laugh.
Your friends are gone, you're bad news.
--Then, one night, your beloved, writes. . .!

That night. . .you return to the blinding cafés;
You order beer or lemonade. . .
--No one's serious at seventeen
When lindens line the promenade.

~ Arthur Rimbaud ~

I’m Your Man


Pablo Picasso
Boy with Pipe

I’m Your Man

If you want a lover
I'll do anything you ask me to
And if you want another kind of love
I'll wear a mask for you
If you want a partner
Take my hand
Or if you want to strike me down in anger
Here I stand
I'm your man
If you want a boxer
I will step into the ring for you
And if you want a doctor
I'll examine every inch of you
If you want a driver
Climb inside
Or if you want to take me for a ride
You know you can
I'm your man
Ah, the moon's too bright
The chain's too tight
The beast won't go to sleep
I've been running through these promises to you
That I made and I could not keep
Ah but a man never got a woman back
Not by begging on his knees
Or I'd crawl to you baby
And I'd fall at your feet
And I'd howl at your beauty
Like a dog in heat
And I'd claw at your heart
And I'd tear at your sheet
I'd say please, please
I'm your man
And if you've got to sleep
A moment on the road
I will steer for you
And if you want to work the street alone
I'll disappear for you
If you want a father for your child
Or only want to walk with me a while
Across the sand
I'm your man
If you want a lover
I'll do anything you ask me to
And if you want another kind of love
I'll wear a mask for you

~ Leonard Cohen ~

When I Set Out For Lyonnesse


Paul Malouel
The Duke on a Journey

When I Set Out For Lyonnesse

When I set out for Lyonnesse,

A hundred miles away,
The rime was on the spray,
And starlight lit my lonesomeness
When I set out for Lyonnesse
A hundred miles away.

What would bechance at Lyonnesse
While I should sojourn there
No prophet durst declare,
Nor did the wisest wizard guess
What would bechance at Lyonnesse
While I should sojourn there.

When I came back from Lyonnesse
With magic in my eyes,
All marked with mute surmise
My radiance rare and fathomless,
When I came back from Lyonnesse
With magic in my eyes!

~ Thomas Hardy ~

You are tired


Edward Hopper
Nighthawks

You are tired

You are tired,
(I think)
Of the always puzzle of living and doing;
And so am I.

Come with me, then,
And we’ll leave it far and far away–
(Only you and I, understand!)

You have played,
(I think)
And broke the toys you were fondest of,
And are a little tired now;
Tired of things that break,
and–Just tired.
So am I.

But I come with a dream in my eyes tonight,
And I knock with a rose
at the hopeless gate of your heart–
Open to me!
For I will show you the places
Nobody knows,
And, if you like,
The perfect places of Sleep.

Ah, come with me!
I’ll blow you that wonderful bubble, the moon,
That floats forever and a day;
I’ll sing you the jacinth song
Of the probable stars;
I will attempt the unstartled steppes of dream,
Until I find the Only Flower,
Which shall keep (I think) your little heart
While the moon comes out of the sea.

~ e. e. cummings ~

The Time I've Lost in Wooing


John Singer Sargent
Street in Venice

The Time I've Lost in Wooing

The time I’ve lost in wooing,
In watching and pursuing
The light that lies
In woman's eyes,
Has been my heart's undoing.
Tho' Wisdom oft has sought me,
I scorn'd the lore she brought me,
My only books
Were women's looks,
And folly's all they taught me.

Her smile when Beauty granted,
I hung with gaze enchanted,
Like him the Sprite
Whom maids by night
Oft meet in glen that's haunted.
Like him, too, Beauty won me;
But when the spell was on me,
If once their ray
Was turn'd away,
O! winds could not outrun me.

And are those follies going?
And is my proud heart growing
Too cold or wise
For brillant eyes
Again to set it glowing?
No -- vain, alas! th' endeavour
From bonds so sweet to sever: --
Poor Wisdom's chance
Against a glance
Is now as weak as ever.

~ Thomas Moore ~